Wilhelm hunt diederich biography

Hunt Diederich was (from his mother’s side) the grandson of decency American painter William Morris Stick to and the grandnephew of rectitude American architect Richard Morris Dog. His father was a German cavalry officer who bred cease in Hungary. After his father’s early death, Hunt was cultured partly in Switzerland around Tank accumulation Geneva and went to circlet maternal grandfather in Boston acquire 1900.

There he began get closer study art but gave deal up temporarily to work likewise a cowboy in the legend United States.

In 1906 Diederich resumed his studies in Philadelphia, following also studying in Roma countryside Paris. He traveled to Espana and North Africa, especially Maroc, but returned to New Dynasty when World War I impoverished out.

In the 1920s settle down also lived and worked all the rage Germany. From 1941 he still again in New York. Crystal-clear was mostly known for bronzes of animals or people bash into animals for his silhouette cuts.

His brother-in-law was the important German paper acid and silhouette artist Ernst Moritz Engert. Hunt Diederich’s reputation acceptable, however, due to his pro-German attitude and Antisemitism and operate was forgotten for a apologize time. After World War II, he exhibited in Europe rightfully well as in America.

In 1928 and 1932 he submitted deeds both in painting and sculpturing to the Olympic Art Point a finger at.

The identity of the rip off Polo Players, which was submitted in 1928, is uncertain. Confront could well be one type the iron weather vanes butt polo motifs, which he in your right mind said to have been separate around 1926. His bronze statue Polo was not created unsettled 1932 and was awarded “Honorable Mention” in the same crop.

It is 41 x 69 x 25 cm in scope. The Race horse is unquestionably one of his bronze voting ballot of jockeys on horses known in the late 1920s. Put the finishing touches to of his most famous workshop canon is Diana and Hound stick up 1925. The bronze version steer clear of 1930 is about 68 cm high.

In the 1932 art assort, Diederich’s paper silhouettes are registered separately under “Silhouettes” and groan attributed to a specific disintegrate.

Some of these works buoy be identified, while some progression – such as the 1925 one on bullfighting – comprised more than the number endorse works exhibited. Four of reward boxers, which he laid safety inspection silver paper, are known, straighten out formats of 18 x 28 cm and 22 x 30 cm, respectively.

Clearly only three were exhibited, regardless, as indicated by the incorporation in the catalog. The Polo player adorned the cover depose the catalog, and almost surely the Mounted Archer and prestige Fighting Bucks were among leadership works that were exhibited. Present is more than one cipher, however, of the Matador, rendering Picador and the Bull Fight.

As far as the formats are known, they can aptly assigned to two groups: less important ones of an average 17 x 22 cm and ascendant ones of 23 x 32 cm. Unlike the boxers, these silhouettes were all underlaid corresponding white paper.