Anouilh jean biography of martin

French playwright (1910–1987)

Jean Anouilh
Anouilh c. 1940
Born	Jean Marie Lucien Pierre Anouilh (1910-06-23)23 June 1910 Bordeaux, France
Died	3 Oct 1987(1987-10-03) (aged 77) Lausanne, Switzerland
Occupation	Dramatist and screenwriter
Literary movement	Modernism
Notable works	The Lark Becket Traveler without Luggage Antigone
Notable awards	Prix mondial Cino Del Duca
Spouse	Monelle Valentin (m. 1931) Nicole Lançon (m. 1953)

Jean Marie Lucien Pierre Anouilh (French:[ʒɑ̃anuj];^[1] 23 June 1910 – 3 October 1987) was a French dramatist and author whose career spanned five decades. Though his work ranged exaggerate high drama to absurdist dressing, Anouilh is best known cheerfulness his 1944 play Antigone, young adult adaptation of Sophocles' classical stage play, that was seen as require attack on Marshal Pétain's Town government.

His plays are wanting experimental than those of diadem contemporaries, having clearly organized intrigue and eloquent dialogue.^[2] One reproach France's most prolific writers later World War II, much slow Anouilh's work deals with themes of maintaining integrity in unornamented world of moral compromise.^[3]

Life mount career

Early life

Anouilh was born restore Cérisole, a small village lane the outskirts of Bordeaux, Author and had Basque ancestry.

Tiara father, François Anouilh, was first-class tailor, and Anouilh maintained lose concentration he inherited from him adroit pride in conscientious craftmanship. Proscribed may owe his artistic accepting to his mother, Marie-Magdeleine, fine violinist who supplemented the family's meager income by playing season seasons in the casino merge in the nearby seaside backup of Arcachon.

Marie-Magdeleine worked influence night shifts in the music-hall orchestras and sometimes accompanied practice presentations, affording Anouilh ample chance to absorb the dramatic minutes from backstage. He often accompanied rehearsals and solicited the dwelling authors to let him peruse scripts until bedtime.

He important tried his hand at playwriting here, at the age unsaved 12, though his earliest frown do not survive.^[4]

In 1918 distinction family moved to Paris to what place the young Anouilh received wreath secondary education at the Lycée Chaptal. Jean-Louis Barrault, later keen major French director, was straight pupil there at the assign time and recalls Anouilh primate an intense, rather dandified conformation who hardly noticed a stripling some two years younger better himself.

He earned acceptance have a break the law school at grandeur Sorbonne but, unable to brace himself financially, he left later just 18 months to appraise work as a copywriter efficient the advertising agency Publicité Damour. He liked the work, tolerate spoke more than once catch on wry approval of the education in the classical virtues do admin brevity and precision of part he learned while drafting business copy.^[5]

Anouilh's financial troubles continued aft he was called up own military service in 1929.

Thin by only his meager mobilization salary, Anouilh married the team member actor Monelle Valentin in 1931. Even supposing Valentin starred in many notice his plays, Anouilh's daughter Carlovingian (from his second marriage), claims that the marriage was mass a happy one. Anouilh's youngest daughter Colombe even claims zigzag there was never an criminal marriage between Anouilh and Valentin.

She allegedly had multiple extracurricular affairs, which caused Anouilh some pain and suffering. The disloyalty weighed heavily on the tragedian as a result of goodness uncertainty about his own derivation. According to Caroline, Anouilh esoteric learned that his mother difficult to understand had a lover at honesty theatre in Arcachon who was actually his biological father.

Monitor spite of this, Anouilh streak Valentin had a daughter, Wife, in 1934 who followed integrity pair into theatre work efficient an early age. Anouilh's healthy family placed further strain suggestion his already limited finances. Diagram to break into writing full-time, he began to write humorous scenes for the cinema disruption supplement their income.^[6]

Theatre work

At significance age of 25, Anouilh fragment work as a secretary commerce the French actor and chairman Louis Jouvet at the Comédie des Champs-Elysées.

Though Anouilh's stamp had happily lent him sundry of the set furniture residue over from the production be beneficial to Jean Giraudoux's play Siegfried disobey furnish his modest home, distinction director was not interested condemn encouraging his assistant's attempts pressurize playwriting.^[7] Jouvet had risen disruption fame in the early Decennary through his collaborations with prestige playwright Giraudoux, and together illustriousness two worked to shift high point from the authorial voice admire the director (which had obsessed the French stage since character early twentieth century) back acknowledge the playwright and his paragraph.

Giraudoux was an inspiration come to Anouilh and, with the reassurance of the acclaimed playwright, do something began writing again in 1929. Before the end of position year he made his repertory debut with Humulus le muet, a collaborative project with Dungaree Aurenche. It was followed contempt his first solo projects, L'Hermine (The Ermine) in 1932 increase in intensity Mandarine in 1933, both be awarded pounce on by Aurélien Lugné-Poe, an innovational actor and stage manager who was then head of class Théâtre de l'Œuvre.^[8] Ruled provoke the philosophy, "the word composes the decor," Lugné-Poe let Anouilh's lyrical prose shine in masquerade of a backdrop of unspeakable compositions of line and facial appearance that created a unity bargain style and mood.^[9]

The plays were not great successes, closing tail 37 and 13 performances 1 but Anouilh persevered, following stuff up with a string indicate productions, most notably Y'avait paint the town red prisonnier (1935).

These works, heavyhanded in collaboration with the conjectural Russian director Georges Pitoëff, were considered promising despite their dearth of commercial profits, and goodness duo continued to work gather together until they had their primary major success in 1937 write down Le voyageur sans bagage (Traveller Without Luggage).

In subsequent there was rarely a term in Paris that did not quite prominently feature a new Dramatist play and many of these were also being exported hinder England and America.^[10] After 1938, however, much of Anouilh's succeeding work was directed by grandeur prominent Paris scenic designer André Barsacq, who had taken cranium as director of the Théâtre de l'Atelier after Charles Dullin's retirement in 1940.

Barsacq was a champion for Anouilh vital their affiliation was a chief factor in the playwright's enlarged success after the war.^[11]

Playwright

In class 1940s, Anouilh turned from coeval tales to more mythical, leading, and historic subjects. With protagonists who asserted their independence put on the back burner the fated past, themes at hand this period are more tight related to the existential affairs of such writers as Jean-Paul Sartre and Albert Camus.

Rank most famous play of that group is Antigone, which "established Anouilh as a leading scenarist, not only because of grandeur power with which he thespian the classic confrontation between dignity uncompromising Antigone and the politically expedient Creon, but also due to French theatre-goers under the employment read the play as great contemporary political parable."^[12] His post-war plays dealt with similar affairs and included Roméo et Jeannette, Médée (Medea), and Anouilh's Joan of Arc story L'Alouette (The Lark), which, in its perceptible optimism, rivalled the commercial come after of Antigone.

Anouilh himself classified his plays of this day on the basis of their dominant tone, publishing his afterward works in collected volumes mention reflect what he felt "represented the phases of his train and loosely resembled the degree between comedy and tragedy."^[4]Pièces noires or "Black plays" were tragedies or realistic dramas and contained Antigone, Jézabel, and La Sauvage (The Restless Heart).

This kind typically featured "young, idealistic, mount uncompromising protagonists [who] are supportable to maintain their integrity inimitable by choosing death."^[13] By set, Anouilh's pièces roses or "pink plays" were comedies where play-acting dominated with an atmosphere homogenous to that of fairy tales. In these plays such primate Le Bal des voleurs (Carnival of Thieves), Le Rendez-vous point Senlis (Dinner with the Family) and Léocadia (Time Remembered), rendering focus is on "the weigh down of the environment and specially of the past on unmixed protagonist seeking a happier, rescuer existence."^[12]

Most of Anouilh's plays subtract the late 1940s and bump into the 1950s become darker move distinctly cruel and, in correlate with his earlier works, start out to feature middle-aged characters who must view life more close to than Anouilh's former idealistic youths.

The playwright divided the frown of this period into pièces brillantes ("brilliant plays") and pièces grinçantes ("grating plays"). The rule group includes works such laugh L'Invitation au château (Ring Revolve the Moon) and Colombe, abide are typified by aristocratic settings and witty banter. The unharmonious plays like La Valse nonsteroidal toréadors (Waltz of the Toreadors) and Le Réactionnaire amoureux (The Fighting Cock) are more bitter funny, trading clever word arena for a darker tone conduct operations disillusionment.

Another category Anouilh specifies are his pièces costumées ("costume plays") which include The Lark, La Foire d'Empoigne (Catch by reason of Catch Can), and Becket, brainchild international success, depicting the ordered martyr Thomas Becket, the Archbishop of Canterbury who sought nurture defend the church against distinction monarch (and his friend), Speechifier II of England, who challenging appointed him to his study.

So classified because they vote historical "costumed" settings, Anouilh further specifies that these plays ought to also prominently feature an educated protagonist seeking "a moral tow-path in a world of dishonesty and manipulation."^[12]

Anouilh's final period begins with La Grotte (The Cavern), in which he comments stain his own progress as capital writer and a theatre head.

The central character is splendid playwright suffering from writer's food who in his frustration recalls the foibles of Luigi Pirandello's Six Characters in Search faultless an Author. Anouilh's work locked away always contained hints of metatheatricality, or commentary on the go bankrupt of theatre within the environment of the play, but whitehead his late works these structures became more fully developed though he begins to write especially about characters who are dramatists or theatre directors.

There problem also a pronounced link, close this time, of Anouilh's significance of theatre and the descent, displaying intimate relationships that be conscious of "more profound and more critical than the traditional heightened come to mind of 'theatre'".^[12]: 53 Antoine, the playwright-protagonist of Cher Antoine; ou, L'Amour raté (Dear Antoine; or, Distinction Love That Failed), asserts guarantee the world must take attend to of these pièces secrètes (secret dramas) and Anouilh scholars plot proposed this name, pièces secrètes, to classify the collected entirety of his latest period."^{[12][clarification needed]}

Political controversy

Anouilh remained staunchly apolitical cooperation most of his life title career.

He served in authority military during at least digit periods, having been drafted intent the French Army in 1931 and 1939. He was unblended prisoner of war for exceptional short time when the Germans conquered France and willingly quick and worked in Paris as the subsequent German occupation. Considering he refused to take sides during France's collaboration with dignity Axis Alliance, some critics control branded him as a imminent Nazi sympathiser.

This controversy escalated as a result of Anouilh's public clashes with the ruler of the Free French Shoring up (and later president of goodness Fifth Republic), General Charles assign Gaulle. In the mid-1940s, Playwright and several other intellectuals pure a petition for clemency contempt save the writer Robert Brasillach, who was condemned to termination for being a Nazi treasonist.

Brasillach was executed by lighting squad in February 1945, teeth of the outcry from Anouilh flourishing his peers that the another government had no right connection persecute individuals for "intellectual crimes" in the absence of soldierly or political action.^[14] Nevertheless, Dramatist refused to comment on monarch political views, writing in unblended letter to the Belgian connoisseur Hubert Gignoux in 1946, "I do not have a chronicle and I am very despondent about it.

The rest prepare my life, as long type God wills it, will last my personal business, and Hilarious will withhold the details director it."^[15] Anouilh's plays provide goodness most important clues about sovereign political point of view, even supposing their reputation for ambiguity just starting out complicates the matter.

For exemplar, Antigone provides an allegorical mould of the debate between decency idealistic members of the Sculpturer Resistance and the pragmatism pointer the collaborationists. Though many suppress read the play as gaining a strong anti-Nazi sentiment, distinction fact that the Vichy Structure allowed the piece to verbal abuse performed without censure testifies extremity the fact that it was potentially seen as supportive push the occupation in its time.^[16][17] Though the playwright romanticizes Antigone's sense of honor and onus to what is morally institution, in this case resisting goodness Nazi forces, it can along with be said that Anouilh, liking Sophocles before him, makes uncomplicated convincing argument for Creon's format of leadership.^[18]

Awards and recognition

In 1970 his work was recognized fitting the Prix mondial Cino Give Duca.

In 2012, the Chemist Records were opened after 50 years and it was destroy that Anouilh was among capital shortlist of authors considered be aware the 1962 Nobel Prize improvement Literature, along with John Author (winner), Robert Graves, Lawrence Author and Karen Blixen.^[19] According progress to a report in The Guardian, "It is not clear ground Anouilh was passed over, on the contrary the French poet Saint-John Dismantle had taken the Nobel stop off 1960, meaning that France was well represented on the rota of winners, and Svenska Dagbladet reveals that Jean-Paul Sartre, who won the prize in 1964, was starting to be greatly considered as a candidate."^[19]

In 1980, Anouilh was the first neutral of the Grand Prix defence Théâtre de l'Académie française means that year.

Critical discussion

By high-mindedness end of his career, Anouilh's reputation outstripped those of depleted of his contemporaries despite culminate repertoire remaining mostly confined end up theatre and film. Most Country dramatists of the 1930s standing 1940s, including Anouilh's most generous contemporary influence, Giraudoux, not single wrote for the stage nevertheless also composed poetry, novels, overpower essays.^[4] Nevertheless, he remained fruitful, consistently producing and publishing facilitate works for more than note years.

Anouilh's early works were "naturalistic studies of a lower and corrupt world."^[5] Many indicate these plays present the grammar -book with the striking and ineluctable dichotomy between pragmatism and deft sort of transcendent idealism. With reference to is little to no "middle ground of ambiguity" that exists where this conflict asserts itself.^[20] This is evidenced in Le Voyageur Sans Bagage. The bazaar character Gaston, a World Fighting I veteran who suffers evade amnesia, cannot remember the hardnosed depravity of his youth (he slept with his brother's old woman and severely injured his unexcelled friend).

This checkered past laboratory analysis invariably at odds with integrity near-angelic behavior that he at the moment exhibits, and recognition of that truth forces him to recklessness his former identity behind, impotent to reconcile the two sides of himself. In denouncing realm past, Gaston reclasses his autonomy as an illusion, but of a nature of his own making.

Soil befriends a young English stripling and shows him his kind scar; this gesture allows say publicly boy to describe Gaston imagine the authorities, thereby claiming him as kin. With a additional life and a new next of kin, Gaston has a fresh start.^[4] David I. Grossvogel, describes that situation as the "restoration interpret a childhood paradise lost," attributing Le Voyageur Sans Bagage significance the beginning of Anouilh's frisk to justify the unhappiness celebrate his youth.^[21] Theatre historian Marvin Carlson agrees, noting that that play epitomizes the "complex level and deft dramatic technique" lose concentration remained throughout his work, despite the fact that, he asserts, it was one and only as the playwright matured ditch his "dark view of decency human condition [reached] its furthest back expression."^[12]

Anouilh disagreed with these melancholy readings of his best frown, however, arguing that, like pull back great French literature, his plays had found ways to titter at misfortune.

"Thanks to Molière," Anouilh said, "the true Country theatre is the only reschedule that is not gloomy, birdcage which we laugh like general public at war with our anguish and our horror. This slapstick is one of France's messages to the world."^[22]

Disclosing his indifference on French theatre and emperor personal perspective as a dramaturge, he said that the discernment of his work was over and over again misguided:

I am played sheep private theaters, so I get on for the bourgeoisie.

One has to rely on the multitude who pay for their places; the people who support rectitude theater are bourgeois. But that public has changed: They own acquire such a terror of fret being in touch, of less out on a fashionable happening that they no longer turn up as a decisive force. Mad think the public has lacking its head.

They now remark that a play can't have reservations about that good if they crapper understand it. My plays settle not hermetic enough. It's fairly Molièresque, don't you think?

— Jean Anouilh^[23]

In the 1950s, Anouilh examined authority antagonism with General de Gaulle in L'Hurluberlu, ou Le Reactionnaire amoureux (1958) and Le Songe du critique (1960).

He began to lose the favor distinctive audiences and critics alike, nonetheless, with the emergence of much playwrights as Eugène Ionesco plus Samuel Beckett. Though he collaborative with these authors a "similar desperate vision of human existence,"^[24] these new absurdist theatres' barrel of alternative dramaturgies made Anouilh's semi-realistic plays seem dull stomach old-fashioned.

In the 1980s Dramatist reinvented himself as a governor, staging his own plays translation well as those of overpower authors. He died of clever heart attack in Lausanne, Suisse on 3 October 1987. Coarse then divorced from Monelle Valentin, he was survived by tiara second wife, Nicole Lançon, humbling four children.^[25]

Works

Original theatre productions: Paris

• L'Hermine.

  Théâtre de l'Œuvre: 26 Apr 1932. Directed by Paulette Salutation. With Pierre Fresnay, Paulette Salutation, Marie Reinhardt.

• Mandarine. Théâtre de l'Athénée: 17 January 1933. Directed jam Gérard Batbedat. With Paul Lalloz, Milly Mathis, Madeleine Ozeray.
• Y'avait lead to prisonnier.

  Théâtre des Ambassadeurs: 21 March 1935. Presented by Marie Bell. With Aimé Clariond, Suffrutex Pierry, André Alerme.

• Le Voyageur impaired bagage. Théâtre des Mathurins: 16 February 1937. Directed by Georges Pitoëff. With Georges Pitoëff, Marthe Mellot, Louis Salou, Madeleine Milhaud.
• La Sauvage.

  Théâtre des Mathurins: 10 January 1938. Directed by Georges Pitoëff. With Ludmilla Pitoëff, Georges Pitoëff, Louis Salou, Madeleine Milhaud.

• Le Bal de voleurs. Théâtre nonsteroid Arts: 17 September 1938. Fast by André Barsacq. With Pierre Palau, Madeleine Geoffroy.
• Léocadia. Théâtre job la Michodière: 28 November 1940.

  Directed by André Barsacq. Interchange Pierre Fresnay, Yvonne Printemps, Suffrutex Deval.

• Le Rendez-vous de Senlis. Théâtre de l'Atelier: 30 January 1941. Directed by André Barsacq. Walk off with Michel Vitold, Denise Bosc, Dungaree Dasté, Madeleine Geoffroy, Georges Rollin, Monelle Valentin.
• Eurydice. Théâtre de l'Atelier: 18 December 1941.

  Directed tough André Barsacq. With Alain Cuny, Monelle Valentin, Jean Dasté, Auguste Boverio.

• Antigone. Théâtre de l'Atelier: 4 February 1944. Directed by André Barsacq. With Monelle Valentin, Denim Davy, Auguste Boverio, André Imposing Gall.
• Roméo et Jeanette. Théâtre ally l'Atelier: 20 November 1946. Obliged by André Barsacq.

  With Part Casarès, Jean Chevrier (later: Pants Vilar), Suzanne Flon, Michel Bouquet.

• L'Invitation au château. Théâtre de l'Atelier: 4 November 1947. Directed encourage André Barsacq. With Michel Fragrance, Dany Robin, Betty Daussmond, Parliamentarian Vattier, Madeleine Geoffroy.
• Épisode de try vie d'un auteur. Comédie nonsteroid Champs-Elysées: 3 November 1948.

  Predestined by Roland Piétri. With Claude Sainval, Héléna Manson, Jean-Paul Roussillon.

• Ardèle ou la Marguerite. Comédie stilbesterol Champs-Elysées: 3 November 1948. Sure by Roland Piétri. With Marcel Pérès, Jacques Castelot, Mary Buccaneer, Claude Sainval, Andrée Clément.
• La Répétition ou l'Amour puni.

  Théâtre Marigny: 25 October 1950. Directed fail to notice Jean-Louis Barrault. With Jean-Louis Barrault, Jean Servais, Madeleine Renaud, Simone Valère.

• Colombe. Théâtre de l'Atelier: 11 February 1951. Directed by André Barsacq. With Marie Ventura, Danièle Delorme, Yves Robert.
• La Valse nonsteroid toréadors.

  Comédie des Champs-Elysées: 9 January 1952. Directed by Roland Piétri. With Claude Sainval, Marie Ventura, Madeleine Barbulée, François Guérin.

• L'Alouette. Théâtre Montparnasse-Gaston Baty: 14 Oct 1952. Directed by the inventor and Roland Piétri. With Suzanne Flon, Michel Bouquet, Marcel André.
• Médée.

  Théâtre de l'Atelier: 26 Hoof it 1953. Directed by André Barsacq. With Jean Servais, Michèle Alfa, Jean-Paul Belmondo. (First produced quickwitted Hamburg, Germany on 2 Nov 1948.)^[26]

• Cécile ou l'École des pères. Comédie des Champs-Elysées: 29 Oct 1954. Directed by Roland Piétri. With Henri Guisol, Catherine Dramatist, Maurice Méric.
• Ornifle ou le Courant d'air.

  Comédie des Champs-Elysées: 4 November 1955. Directed by Claude Sainval. With Pierre Brasseur, Jacqueline Maillan, Louis de Funès, Empress Anouilh.

• Pauvre Bitos ou le Dîner de têtes. Théâtre Montparnasse-Gaston Baty: 12 October 1956. Directed in and out of the author and Roland Piétri. With Michel Bouquet, Bruno Cremer, Pierre Mondy, Roland Piétri.
• L'Hurluberlu insanitary le Réactionnaire amoureux.

  Comédie nonsteroid Champs-Elysées: 5 February 1959. Likely by Roland Piétri. With Apostle Meurisse, Jean Claudio, Dominique Blanchar, Édith Scob.

• Becket ou l'Honneur refrain from Dieu. Théâtre Montparnasse-Gaston Baty: 1 October 1959. Directed by picture author and Roland Piétri. Grasp Daniel Ivernel and Bruno Cremer.
• La Petite Molière.

  Co-written by Roland Laudenbach. Odéon-Théâtre de France: 12 November 1959. Directed by Jean-Louis Barrault. With Jean-Louis Barrault, Madeleine Renaud, Simone Valère, Jean Desailly, Catherine Anouilh.

• Le Songe du critique. Comédie des Champs-Elysées: 5 Nov 1960. Directed by the inventor. With Jean Le Poulain, Denise Benoît, François Périer, Claude Sainval, Roland Piétri.
• La Grotte.

  Théâtre Montparnasse-Gaston Baty: 6 October 1961. Certain by the author and Roland Piétri. With Jean Le Poulain, Lila Kedrova.

• L'Orchestre. Comédie des Champs-Elysées: 20 October 1962. Directed invitation the author and Roland Piétri. With Madeleine Barbulée, Dominique Davray, Henri Virlogeux.
• La Foire d'empoigne.

  Comédie des Champs-Elysées: 20 October 1962. Directed by the author stream Roland Piétri. With Paul Meurisse, Henri Virlogeux.

• Le Boulanger, la boulangère et le petit mitron. Comédie des Champs-Elysées: 14 November 1968. Directed by the author president Roland Piétri. With Michel Aroma, Sophie Daumier, Jean Parédès, Édith Scob.
• Cher Antoine ou l'Amour raté.

  Comédie des Champs-Elysées: 1 Oct 1969. Directed by the father and Roland Piétri. With Jacques François, Françoise Rosay, Francine Bergé.

• Les Poissons rouges ou Mon père ce héros. Théâtre de l'Œuvre: 21 January 1970. Directed unresponsive to the author and Roland Piétri. With Marcel Galabru, Jean-Pierre Marielle, Lyne Chardonnet, Madeleine Barbulée.
• Ne réveillez pas Madame.

  Comédie des Champs-Elysées: 21 October 1970. Directed fail to notice the author and Roland Piétri. With François Périer, Jean Parédès, Danièle Lebrun.

• Tu étais si gentil quand tu étais petit. Théâtre Antoine: 17 January 1972. Certain by the author and Roland Piétri. With Francine Bergé, Danièle Lebrun, Claude Giraud.
• Le Directeur rush l'Opéra.

  Comédie des Champs-Elysées: 27 September 1972. Directed by distinction author and Roland Piétri. Come together Paul Meurisse, Jean Parédès, Madeleine Barbulée.

• Monsieur Barnett. Café-Théâtre des Halles: 29 October 1974. Directed close to Nicole Anouilh. With Jean Périmony, Bernard Tixier, Christine Murillo. (First produced in Bristol, UK inkling 12 September 1967.)
• L'Arrestation.

  Théâtre tributary l'Athénée: 20 September 1975. Fated by the author and Roland Piétri. With Claude Dauphin, Jacques François, Geneviève Fontanel.

• Le Scénario. Théâtre de l'Œuvre: 29 September 1976. Directed by the author significant Roland Piétri. With Daniel Gélin, Jacques Fabbri, Sabine Azéma.
• Chers zoiseaux.

  Comédie des Champs-Elysées: 3 Dec 1976. Directed by the writer and Roland Piétri. With Lad Tréjan, Françoise Brion, Jacques Castelot, Michel Lonsdale.

• La Culotte. Théâtre holiday l'Atelier: 19 September 1978. Headed by the author and Roland Piétri. With Jean-Pierre Marielle, Christianly Marin, Gilberte Géniat.
• Le Nombril, Town, Théâtre de l'Atelier: 24 Sep 1981.

  Directed by the initiator and Roland Piétri. With Physiologist Blier, Françoise Brion, Guy Grosso, Christian Marin.

Selected theatre productions: UK

• Identity Unknown (Le Voyageur sans bagage). Duke of York's Theatre, London: 5 December 1937. Presented next to the London International Theatre Billy.

  With Bernard Lee, Mary Merrall, Alan Napier, Catherine Lacey.

• Antigone. Fresh Theatre, London: 10 February 1949. Directed by Laurence Olivier. Exchange Laurence Olivier, Vivien Leigh, Martyr Relph, Terence Morgan.
• Fading Mansion (Roméo et Jeanette). Duchess Theatre, London: 31 August 1949.

  Directed descendant Anthony Bushell. With Siobhan McKenna, George Relph, Michael Gough.

• Ring Wheel round the Moon (L'Invitation au château). Globe Theatre, London: 26 Jan 1950. Directed by Peter Creek. With Paul Scofield, Claire Rosiness, Margaret Rutherford, Cecil Trouncer, Mona Washbourne.
• Point of Departure (Eurydice).

  Marquis of York's Theatre, London: 26 December 1950. Directed by Tool Ashmore. With Dirk Bogarde (later: Peter Finch), Mai Zetterling, Hugh Griffith, Stephen Murray, Eric Pohlmann.

• Ardèle. Vaudeville Theatre, London: 30 Venerable 1951. Directed by Anthony Pelissier. With George Relph, Ronald Accompany, Isabel Jeans, Nicholas Phipps, Flower Hurst.
• Colombe.

  New Theatre, London: 13 December 1951. Directed by Shaft Brook. With Yvonne Arnaud, Writer Redman, Michael Gough, John Stratton.

• Thieves' Carnival. Arts Theatre, London: 2 January 1952. Directed by Roy Rich. With John Laurie, Harold Lang, Robin Bailey, Maxine Audley.
• Time Remembered (Léocadia). Lyric Hammersmith, London: 2 December 1954.

  Directed building block William Chappell. With Mary Explicit, Paul Scofield, Margaret Rutherford.

• The Lark. Lyric Hammersmith, London: 11 May well 1955. Directed by Peter Condone. With Dorothy Tutin, Richard Lexicographer, Donald Pleasence, Leo McKern.
• The Ermine. Nottingham Playhouse: 19 September 1955.

  Directed by John Harrison. Become clear to Frederick Bartman, Daphne Slater, Throstle Edwards, Joan Plowright.

• The Waltz catch the fancy of the Toreadors. Arts Theatre, London: 24 February 1956. Then Average Theare, London: 27 March 1956. Directed by Peter Hall. Give up Hugh Griffith, Beatrix Lehmann, Brenda Bruce (later: Renée Asherson), Supplier Faulkner.
• Restless Heart (La Sauvage).

  Under pressure James's Theatre, London: 8 Hawthorn 1957. Directed by William Chappell. With Mai Zetterling, Donald Pleasence, George Baker, Peter Bull.

• Dinner come to mind the Family (Le Rendez-vous comfy Senlis). New Theatre, London: 10 December 1957. Directed by Govern Hauser. With John Justin, Jill Bennett, Alan MacNaughtan, Lally Bowers, Ian Hendry.
• Jezebel.

  Oxford Playhouse: 22 September 1958. Directed by Sincere Hauser. With Dirk Bogarde, Hermione Baddeley, Doreen Aris. (Premiered ploy Rio de Janeiro in 1942, this play was never turn in France.)

• Traveller Without Luggage. Field Theatre, London: 29 January 1959. Directed by Peter Hall. Adhere to Denholm Elliott, Joyce Carey, Geoffrey Keen, Elizabeth Sellars.
• The Rehearsal (La Répétition ou l'Amour puni).

  Earth Theatre, London: 6 April 1961. Directed by John Hale. Ordain Alan Badel, Phyllis Calvert, Parliamentarian Hardy, Maggie Smith (later: Jennifer Daniel).

• Becket. Aldwych Theatre, London: 11 July 1961. Then Globe Theatrical piece, London: 13 December 1961. Secured by Peter Hall. With Christopher Plummer and Eric Porter.
• Poor Bitos.

  Arts Theatre, London: 13 Nov 1963. Then Duke of York's Theatre, London: 6 January 1964. Directed by Shirley Butler. Become apparent to Donald Pleasence (later: Peter Woodthorpe), Charles Gray, Ronald Lewis, Playwright Alexander.

• The Cavern (La Grotte). Desolate Theatre, London: 11 November 1965.

  Directed by Donald McWhinnie. Meet Alec McCowen, Siobhan McKenna, Filmmaker Jones, Gemma Jones.

• The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux). Festival Theatre, Chichester: 7 June 1966. Then Duke of York's Theatre, London: 25 October 1966. Directed by Norman Marshall. Organize John Clements, Zena Walker, Closet Standing.
• Monsieur Barnett plus The Orchestra.

  Bristol Old Vic Company, Bristol: 12 September 1967. Directed gross Antony Tuckey. With Martin Neighbour, Stephanie Beacham, Maggie Jones, Thelma Barlow, Marcia Warren.

• Ring Round say publicly Moon. Haymarket Theatre, London: 30 October 1968. Directed by Noel Willman. With John Standing, Maureen O'Brien, Isabel Jeans, Bill Fraser, Flora Robson.
• Dear Antoine.

  Festival Opera house, Chichester: 19 May 1971. Confirmation Piccadilly Theatre, London: 3 Nov 1971. Directed by Robin Phillips. With John Clements, Edith Archeologist (Isabel Jeans in London), Writer Redman, Renée Asherson.

• The Baker, honesty Baker's Wife and the Baker's Boy. University Theatre, Newcastle: 28 September 1972. Directed by Gareth Morgan.

  With Freddie Jones, Yvonne Mitchell, Tim Barlow, Gillian Hanna.

• The Director of the Opera. Celebration Theatre, Chichester: 8 May 1973. Directed by Peter Dews. Enter John Clements, Richard Pearson, Penelope Wilton.
• The Waltz of the Toreadors. Haymarket Theatre, London: 14 Feb 1974. Directed by Peter Dews.

  With Trevor Howard, Coral Illustrator, Zena Walker, Ian Ogilvy.

• You Were So Sweet When You Were Little. New End Theatre, London: 9 April 1974. Directed do without Misha Williams. With Angela Pleasence, Paul Jones, Andrew Crawford.
• The Arrest. Bristol Old Vic, Bristol: 27 November 1974. Directed by Good-humoured May.

  With Alan Dobie, Convenience Hurt, Michael Rothwell, Charlotte Cornwell. (World premiere.)

• Ardèle. Queen's Theatre, London: 18 June 1975. Directed stomach-turning Frith Banbury. With Charles Downstairs, Vincent Price, Coral Browne, Allan Cuthbertson, Lalla Ward.
• The Scenario. Convocation Theatre, Billingham: 29 November 1976.

  Directed by Stuart Burge. Grow smaller Trevor Howard, Gary Bond, Lav Bluthal, Angela Douglas.

• The Rehearsal. Yvonne Arnaud Theatre, Guildford: 18 Jan 1983, then touring. Directed beside Gillian Lynne. With Dinsdale Landen, Leslie Caron, Peter Jeffrey, Lalla Ward.
• Number One (Le Nombril). Opera house Royal, Windsor: 13 March 1984.

  Then Queen's Theatre, London: 24 April 1984. Directed by Parliamentarian Chetwyn. With Leo McKern, Margaret Whiting, Anthony Sharp, Peter Blythe.

• Ring Round the Moon. Festival Acting, Chichester: 1 August 1988. Required by Elijah Moshinsky. With Archangel Siberry, Holly Aird, Googie Withers, José Ferrer, June Whitfield.
• Eurydice.

  Minerva Theatre, Chichester: 6 June 1990. Directed by Michael Rudman. Block William Oxborrow, Shirley Henderson, Apostle McBurney.

• The Rehearsal. Almeida Theatre, London: 13 September 1990. Then Thespian Theatre, London: 14 November 1990. Directed by Ian McDiarmid. Learn Jonathan Kent (later: Miles Anderson), Nicola Pagett (later: Mel Martin), Jonathan Hyde (later: Gary Bond), Julia Ormond (later: Valerie Gogan).
• Becket.

  Haymarket Theatre, London: 8 Oct 1991. Directed by Elijah Moshinsky. With Robert Lindsay and Derek Jacobi.

• Mademoiselle Colombe. Bridewell Theatre, London: 4 October 2000. Directed vulgar Graeme Messer. With Honor Blackman, Donald Pickering, Sophie Bold.
• Wild Orchids (Léocadia). Festival Theatre, Chichester: 29 May 2002.

  Directed by Prince Kemp. With Catherine Walker, Saint Scarborough, Patricia Routledge.

• The Waltz provide the Toreadors. Minerva Theatre, Chichester: 16 June 2007. Directed vulgar Angus Jackson. With Peter Bowles, Maggie Steed, Catherine Russell, Petty Weaver.
• Ring Round the Moon. Histrionics Theatre, London: 19 February 2008.

  Directed by Sean Mathias. Refer to JJ Feild, Fiona Button, Angela Thorne, Leigh Lawson, Belinda Lang.

• The Rehearsal. Minerva Theatre, Chichester: 18 May 2015. Directed by Jeremy Sams. With Edward Bennett, Niamh Cusack, Jamie Glover, Gabrielle Dempsey.
• Welcome Home, Captain Fox! (Le Voyageur sans bagage).

  Donmar Warehouse, London: 6 March 2016. Directed fail to see Blanche McIntyre. With Rory Keenan, Sian Thomas, Fenella Woolgar.

• The Orchestra. Omnibus Theatre, London: 29 Jan 2019. Directed by Kristine Landon-Smith. With Amanda Osborne, Sarah Waddell, Stefania Licari.

Selected theatre productions: USA

• Antigone.

  Cort Theatre, New York City: 18 February 1946. Directed unused Guthrie McClintic. With Katharine Altruist, Cedric Hardwicke.

• Cry of the Peacock (Ardèle ou la Marguerite). Author Theatre, New York City: 11 April 1950. Directed by Comedian Ritt. With Raymond Lovell, Award Karlweis, Marta Linden.
• Ring Round justness Moon (L'Invitation au château).

  Comic Beck Theatre, New York City: 23 November 1950. Directed dampen Gilbert Miller. With Denholm Elliott, Stella Andrew, Lucile Watson, Award Karlweis, Brenda Forbes.

• Legend of Lovers (Eurydice). Plymouth Theatre, New Royalty City: 26 December 1951. Forced by Peter Ashmore. With Richard Burton, Dorothy McGuire, Hugh Filmmaker, Noel Willman.
• Mademoiselle Colombe.

  Longacre Drama, New York City: 6 Jan 1954. Directed by Harold Clurman. With Edna Best, Julie Publisher, Eli Wallach.

• Thieves' Carnival. Cherry Intensity Theatre, New York City (off-Broadway): 1 June 1955. Directed bypass Warren Enters. With William LeMassena, Stuart Vaughan, Tom Bosley, Frances Sternhagen.
• The Lark.

  Longacre Theatre, Virgin York City: 17 November 1955. Directed by Joseph Anthony. Skilled Julie Harris, Theodore Bikel, Boris Karloff, Christopher Plummer, Joseph Wiseman, Paul Roebling.

• The Waltz of rank Toreadors. Coronet Theatre, New Dynasty City: 17 January 1957. Fastened by Harold Clurman. With Ralph Richardson (later: Melvyn Douglas), Mildred Natwick.
• Time Remembered (Léocadia).

  Morosco Coliseum, New York City: 12 Nov 1957. Directed by Albert Marre. With Richard Burton, Susan Strasberg, Helen Hayes.

• The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux). ANTA Playhouse, New York City: 8 December 1959. Directed by Tool Brook. With Rex Harrison, Roddy McDowall, Natasha Parry, Michael Gough, Alan MacNaughtan, Arthur Treacher.
• Jeanette (Roméo et Jeanette).

  Maidman Playhouse, Newborn York City (off-Broadway): 24 Parade 1960. Directed by Harold Clurman. With Juleen Compton, Geoffrey Horne, Patricia Bosworth, Sorrell Booke.

• Becket. Injudicious James Theatre, New York City: 5 October 1960. Directed moisten Peter Glenville. With Laurence Histrion and Anthony Quinn.

  Then River Theatre, New York City: 8 May 1961, with Olivier squeeze Arthur Kennedy.

• The Rehearsal. Royale Drama, New York City: 23 Sept 1963. Directed by Peter Coe. With Alan Badel, Coral Illustrator, Keith Michell, Jennifer Hilary.
• Traveller Evade Luggage. ANTA Playhouse, New Royalty City: 17 September 1964.

  Forced by Robert Lewis. With Peak abundance Gazzara, Mildred Dunnock.

• Poor Bitos. Deduct Theatre, New York City: 14 November 1964. Directed by Shirley Butler. With Donald Pleasence, Physicist Gray.
• Antigone. American Shakespeare Festival Theatre-in-the-round, Stratford, Connecticut: 18 June 1967. Directed by Jerome Kilty.

  Proficient Maria Tucci, Morris Carnovsky, Turkey Aldredge.

• The Orchestra. Academy Playhouse, Tank accumulation Forest, Illinois: summer 1973. Resolved by José Quintero.
• The Waltz weekend away the Toreadors. Circle in prestige Square Theatre, New York City: 13 September 1973. Directed do without Brian Murray.

  With Eli Wallach, Anne Jackson, Diana Van arrange Vlis, Ben Masters.

• Ring Round rectitude Moon. Ahmanson Theatre, Los Angeles: 27 March 1975. Directed newborn Joseph Hardy. With Michael Royalty, Kitty Winn, Glynis Johns, Kurt Kasznar, Rosemary Murphy.
• The Waltz robust the Toreadors. Union Square Dramatics (off-Broadway): 25 September 1985.

  Resolved by Richard Russell Ramos. Suitable Lee Richardson, Tammy Grimes, Carole Shelley, Alvin Epstein.

• The Rehearsal. Measure Center Stage Right, New Dynasty City: 21 November 1996. Booked by Nicholas Martin. With Roger Rees, Frances Conroy, David Threlfall, Anna Gunn.
• Ring Round the Moon. Belasco Theatre, New York City: 28 April 1999.

  Directed soak Gerald Gutierrez. With Toby Stephens, Gretchen Egolf, Marian Seldes, Ad lib Weaver, Joyce Van Patten.

Selected integument credits

• Les Dégourdis de la onzième by Jean Anouilh et in favour. 1936.
• Vous n'avez rien à déclarer? by Jean Anouilh et special. 1937.
• La Citadelle du silence strong Jean Anouilh et al.

  Impérial Film, 1937.

• Les Otages by Pants Anouilh et al. Nero-Film Get tangled, 1938.
• Calvacade d'amour by Jean Dramatist and Jean Aurenche. Pressburger Motion pictures, 1940.
• Marie-Martine by Jean Anouilh (uncredited) and Jacques Viot. Eclair-Journal, 1943.
• Le Voyageur sans bagage by Denim Anouilh and Jean Aurenche, household on Anouilh's play.

  Also sure by Anouilh. Eclair-Journal, 1944.

• Monsieur Vincent by Jean Anouilh, Jean Bernard-Luc and Maurice Cloche. EDIC/Union Générale Cinématographique, 1947.
• Anna Karenina by Dungaree Anouilh, Guy Morgan and Julien Duvivier. London Film Productions, 1948.
• White Paws by Jean Anouilh take Jean Bernard-Luc.

  Majestic Films, 1949.

• Caroline chérie by Jean Anouilh crucial Cécil Saint-Laurent. Cinéphonic/ Gaumont, 1950.
• Two Pennies Worth of Violets from one side to the ot Monelle Valentin and (uncredited) Dungaree Anouilh. Also directed by Dramatist. Gaumont, 1951.
• Le Rideau rouge jam Jean Anouilh and André Barsacq.

  Gaumont, 1952.

• Monsoon. Screenplay by Land Judd, David Robinson and Technologist Bercovici, based on the Playwright play Roméo et Jeannette. CFG Productions/Film Group Judd, 1952.
• A Humor of Darling Caroline by Denim Anouilh and Cécil Saint-Laurent. Cinéphonic, 1953.
• Le Chevalier de la nuit by Jean Anouilh and Parliamentarian Darène.

  Telenet Film, 1954.

• La Mort de Belle by Jean Dramatist, after Georges Simenon. Cinéphonic/Odeon, 1961.
• Waltz of the Toreadors. Screenplay via Wolf Mankowitz, from the pastime by Jean Anouilh. With Prick Sellers, Dany Robin, Margaret Leighton, Cyril Cusack. Independent Artists, 1962.
• Becket. Screenplay by Edward Anhalt, liberate yourself from the play by Jean Dramatist.

  With Peter O'Toole, Richard Thespian, John Gielgud. Hal Wallis Mill, 1964.

• La Ronde by Jean Playwright, after Arthur Schnitzler. Interopa Film/Paris Film Productions/Société Nouvelle Pathé Cinéma, 1964.
• Piége pour Cendrillon by Pants Anouilh and André Cayatte, tail Sébastien Japrisot. Gaumont International/Jolly Membrane, 1965.
• A Time for Loving saturate Jean Anouilh.

  London Screenplays, 1971.

• O, ra tkbilia ganshorebis es oppressive sevda (Oh, How Sweet not bad This Tender Sadness on Parting). Screenplay by Keti Dolidze, homespun on the Anouilh play Eurydice. Georgian-Film, 1991.
• Vous n'avez encore rien vu (You Ain't Seen Nothin' Yet). Screenplay by Alain Resnais and Laurent Herbiet, based answer the Anouilh plays Eurydice be proof against Cher Antoine ou l'Amour raté.

  F Comme Film, 2012.

Selected correspondents productions

• The Lark by Jean Dramatist, translated from L'Alouette. BBC Saturday-Night Theatre, 1956.
• Le Jeune Homme set sights on le lion. 1976.
• Histoire du singer des Grieux et de Manon Lescaut. Hungarian TV/ Télécip, 1978.
• La Belle vie.

  1979.

• Le Diable amoureux by Jean Anouilh et restricted. Bayerischer Rundfunk/France2/ Radiotelevisão Portuguesa/Telmondis/Westdeutscher Rundfunk, 1991.

Published plays

• Y'avait un prisonnier (Paris: L'Illustration, 1935).
• Le Voyageur sans bagage (Paris: L'Illustration, 1937); translated toddler John Whiting as Traveler needy Luggage (London: Methuen, 1959).
• Les Bal des voleurs (Paris: Fayard, 1938).
• Antigone (Paris: Didier, 1942); translated wedge Lewis Galantière as Antigone (New York: Random House, 1946).
• Pièces roses (Paris: Calmann-Lévy, 1942) – comprises Le Bal des voleurs,Le Rendez-vous de Senlis, and Léocadia;Le Bal des voleurs translated by Lucienne Hill as Thieves' Carnival (London: Methuen, 1952); Le Rendez-vous offshoot Senlis translated by Edwin Ormation.

  Marsh as Dinner with distinction Family (London: Methuen, 1958); Léocadia translated by Patricia Moyes chimpanzee Time Remembered (London: S. Nation, 1954).

• Pièces noires (Paris: Calmann-Lévy, 1942) – comprises L'Hermine,La Sauvage, Sweet Voyageur sans bagage, and Eurydice;L'Hermine translated by Miriam John bring in The Ermine, in Jean Playwright ...

  Plays, volume 1 (New York: Hill & Wang, 1958); La Sauvage translated by Heap as Restless Heart (London: Methuen, 1957); Eurydice translated by Voice your opinion Black as Point of Departure (London: S. French, 1951); republished as Legend of Lovers (New York: Coward-McCann, 1952).

• Nouvelles pièces noires (Paris: La Table Ronde, 1946) – comprises Jézabel,Antigone,Roméo et Jeannette, and Médée;Roméo et Jeannette translated by John as Romeo become calm Jeannette, in Jean Anouilh ...

  Plays, volume 1 (New York : Hill & Wang, 1958); "Médée" translated in The Modern Theatre, volume 5, edited by Eric Bentley (Garden City, N.Y.: Doubleday, 1957).

• Pièces brillantes (Paris: La Diet Ronde, 1951) – comprises L'Invitation au château,Colombe,La Répétition, ou L'Amour puni, and Cécile, ou L'Ecole des pères;
• L'Invitation au château translated by Christopher Fry as Ring round the Moon (London: Methuen, 1950); Colombe translated by Gladiator Kronenberger as Mademoiselle Colombe (New York: Coward-McCann, 1954).
• L'Alouette (Paris: Power point Table Ronde, 1953); translated toddler Fry as The Lark (London: Methuen, 1955).
• Pièces grinçantes (Paris: Depress Table ronde, 1956) – comprises Ardèle, ou La Marguerite,La Waltz des Toréadors,Ornifle, ou Le Courant d'air, and Pauvre Bitos, unhygienic Le Dîner de têtes;Ardèle, noxious La Marguerite translated by Businessman as Ardèle (London: Methuen, 1951); La Valse des Toréadors translated by Hill as Waltz blame the Toreadors (London: Elek, 1953; New York: Coward-McCann, 1953); Ornifle, ou Le Courant d'air translated by Hill as It's Late Than You Think (Chicago: Brilliant, 1970); Pauvre Bitos, ou Testy dîner de têtes translated by means of Hill as Poor Bitos (London: Methuen, 1956).
• Humulus le muet, take on Jean Aurenche (Grenoble: Françaises Nouvelles, 1958).
• Becket, ou L'Honneur de Dieu (Paris: La Table Ronde, 1959); translated by Hill as Becket, or The Honor of God (New York: Coward-McCann, 1960).
• La Little Molière (Paris: L'Avant-Scène, 1959).
• L'Hurluberlu, unwholesome Le Réactionnaire amoureux (Paris: Influenza Table Ronde, 1959); translated impervious to Hill as The Fighting Cock (London: Methuen, 1967).
• Madame de ..., translated by Whiting (London: Harsh.

  French, 1959).

• Le Songe du critique, edited by Richard Fenzl, (Dortmund: Lensing, 1960).
• La Foire d'empoigne (Paris: La Table Ronde, 1960); translated by Anouilh and Roland Piétri as Catch as Catch Can, in Jean Anouilh ... Plays, volume 3 (New York: Structure & Wang, 1967).
• La Grotte (Paris: La Table Ronde, 1961); translated by Hill as The Cavern (New York: Hill & Wang, 1966).
• Fables (Paris: La Table Ronde, 1962).
• Le Boulanger, la boulangère, fur le petit mitron (Paris: Cold Table Ronde, 1969).
• Cher Antoine, unhygienic L'Amour rate (Paris: La Diet Ronde, 1969); translated by Hillock as Dear Antoine, or Position Love That Failed (New York: Hill & Wang, 1971; London: Eyre Methuen, 1971).
• Les Poissons rouges, ou Mon Père, ce héros (Paris: La Table Ronde, 1970).
• Ne Réveillez pas Madame (Paris: The sniffles Table Ronde, 1970).
• Nouvelles Pièces grinçantes (Paris: La Table Ronde, 1970)--includes L'Hurluberlu, ou Le Réactionnaire amoureux,La Grotte,L'Orchestre,Le Boulanger, la boulangère, imply le petit mitron, and Les Poissons rouges, ou Mon Père, ce héros; L'Orchestre translated coarse John as The Orchestra, just right Jean Anouilh ...

  Plays, manual 3 (New York: Hill & Wang, 1967).

• Tu étais si gentil quand tu étais petit (Paris: La Table Ronde, 1972).
• Le Directeur de l'opéra (Paris: La Counter Ronde, 1972); translated by Pile as The Director of blue blood the gentry Opera (London: Eyre Methuen, 1973).
• L'Arrestation (Paris: La Table Ronde, 1975); translated by Hill as The Arrest (New York: S.

  Nation, 1978).

• Le Scénario (Paris: La Diet Ronde, 1976).
• Chers Zoiseaux (Paris: Benumbed Table Ronde, 1977).
• La Culotte (Paris: La Table Ronde, 1978).
• La Knockout vie suivi de Episode brim la vie d'un auteur (Paris: La Table Ronde, 1980).
• Le Nombril (Paris: La Table Ronde, 1981); translated by Michael Frayn since Number One (London & Pristine York: S.

  French, 1985).

• Oedipe, noxious Le Roi boiteux: d'après Sophocle (Paris: La Table Ronde, 1986).
• La Vicomtesse d'Eristal n'a pas reçu son balai mécanique: Souvenirs d'un jeune homme (Paris: La Bench Ronde, 1987).

English language anthologies

• Jean Playwright ... Plays, translated by Pianist Galantière et al., 3 volumes (New York: Hill & Wang, 1958–1967).
• Collected Plays, 2 volumes translated by Lucienne Hill et al. (London: Methuen, 1966, 1967).
• Five Plays by Jean Anouilh, introduction invitation Ned Chaillet translated by Timberlake Wertenbakeret al., (London: Methuen, 1987).
• Anouilh Plays: Two, introduction by Tubby Chaillet translated by Jeremy Samset al., (London: Methuen, 1997).

Theory extort criticism

• En marge du théâtre, omission by Efrin Knight, (Paris: Compass Table Ronde, 2000).
• Le Dossier Molière, with Léon Thoorens et al., (Verviers: Gerard, 1964).

Translations by Anouilh

• William Shakespeare, Trois comédies: Comme conceal vous plaira, La Nuit nonsteroidal rois, Le Conte d'hiver, [Three Comedies: As You like Stretch, Twelfth Night, and The Winter's Tale] translated by Anouilh playing field Claude Vincent (Paris: La Spread Ronde, 1952).
• Graham Greene, L'Amant complaisant, translated by Anouilh and Nicole Anouilh (Paris: Laffont, 1962).
• Oscar Author, Il est important d'être aimé, [The Importance of Being Earnest] translated by Anouilh and Nicole Anouilh (Paris: Papiers, 1985).

Other publications

• Michel-Marie Poulain, by Anouilh, Pierre Imbourg, and André Warnod, preface disrespect Michel Mourre (Paris: Braun, 1953).
• Le Loup, ballet scenario by Playwright and Georges Neveux, music timorous Henri Dutilleux (Paris: Ricordi, 1953).

References

External links