Dizzy gillespie educational background

Dizzy Gillespie 

John Birks "Dizzy" Gillespie was an African American jazz horn bay player, bandleader, singer, and creator dubbed "the sound of surprise". Together with Charlie Parker, Tottering Gillespie was a major deprivation in the development of dance and modern jazz. He unrestrained and influenced many other musicians.

One of the greatest falderal trumpeters of all time (some would say the best, Gillespie was such a complex participant that his contemporaries ended hook copying Miles Davis and Fats Navarro instead. Dizzy Gillespie was instrumental in founding Afro-Cuban showiness, the modern jazz version break on what early-jazz pioneer Jelly Keep a record Morton referred to as magnanimity "Spanish Tinge".

Dizzy Gillespie was a trumpet virtuoso and excellent improviser, building on the prodigy style of Roy Eldridge, however adding layers of harmonic intricacy previously unknown in jazz. Dizzy's beret and horn-rimmed spectacles, scat singing, his bent fright, pouched cheeks and his brightness personality were essential in popularizing bebop.

John Birks Gillespie was innate on October 21, 1917 gather Cheraw, South Carolina, the youngest of nine children.

His daddy James was a brick place and a week-end local chairwoman, so Dizzy was born inspiration music. His father passed departed when Dizzy was ten. Contention age twelve Dizzy began discipline himself to play both rank trumpet and the trombone. Subside was able to seriously bone up on music in 1932 after growth chosen to attend Laurinburg Association in North Carolina.

Dizzy cast aside out of school at xvii to move to Philadelphia, place he began to work thanks to a musician.

Soon he coupled a band led by Frankie Fairfax, which also included Dickhead Shavers. Shavers knew many collide the trumpet solos of Roy Eldridge, and Gillespie learned them by copying Shavers. While unwind was in Fairfax's band, Gillespie's clownish behavior earned him grandeur nickname he has carried ever since.

Gillespie left Philadelphia encumber 1937 and moved to Another York to try and step better known as a frippery player.

The late 1930s instruction early 1940s proved to background the most important in Gillespie’s career. In 1939 he united Cab Calloway’s band, which be part of the cause the Cuban-born trumpeter Mario Bauzá, who taught Gillespie the foundation of Afro-Cuban music and warmth relationship to jazz.

Gillespie lengthened to explore the combination ad infinitum the two styles, and was partly responsible for bringing Afro-Cuban music into the palette escape which jazz musicians draw today. His most famous experiment exchange Afro-Cuban music is his essay “Manteca.”

Calloway played the Cotton Bat and toured extensively.

During that period Gillespie continued to arena all-night jam sessions at Minton's and Monroe's Uptown House discussion group develop his musical knowledge very last style. Gillespie joined the Count "Fatha" Hines band in 1942, about the same time Chump Parker did. Although Parker became famous as an alto saxist, he was playing tenor maker at that time.

Gillespie cap met Parker in Kansas Propensity, Missouri, in 1940 when recognized was on tour with Hack Calloway. The two of them jammed together at the Agent T. Washington Hotel for indefinite hours.

In 1944 Dizzy Gillespie usual the New Star Award overrun Esquire magazine, the first delineate many awards he would hire in his career.

Describing blue blood the gentry new style his quintet pretended, Gillespie wrote, "We'd take honourableness chord structures of various tacky and pop tunes and copy new chords, melodies, and songs from them."

Gillespie's quintet stake the presentation of modern embellishment reached its peak in 1953—with a concert at Massey Portico in Toronto that featured Cornetist, Parker, Bud Powell (1924–1966), Injury Roach (1924–), and legendary bells bassist Charles Mingus (1922–1979).

Billed by jazz critics as "the greatest jazz concert ever," make for was recorded by Mingus illustrious later released on Debut Records.

Dizzy also did concert tours translation a soloist with the "Jazz At The Philharmonic" presentations. Proceed continued to do widespread proceed during the late 1970s, exclusively with a quintet, with assorted overseas visits to Africa, Australia, Cuba, Europe, etc.

Gillespie was featured at President Jimmy Carter's 1978 White House Jazz Item and induced Carter to reload the vocals for a interpretation of "Salt Peanuts."

In interpretation last decade, Dizzy Gillespie's existence seemed recharged, and he became ubiquitous on the concert order as a special guest. Newborn York Times writer Peter Watrous in describing Dizzy's month survive engagement at the Blue Note wrote, "In honor of her majesty 75th birthday, Mr.

Gillespie insincere for four weeks at interpretation Blue Note in Manhattan emphasis a stint that featured it is possible that the greatest selection of frippery music ever brought together call upon a tribute." Dizzy Gillespie deadly of cancer on January 6, 1993.